“Baby Shark!!” My four-year-old daughter shouted, banging
the piano keys like a deaf Beethoven figuring out the main melody of his 9th Symphony. She wasn't particularly tuneful, but her harmony did keep time with her words. “doo-doo,
doo-doo, doo-doo. Baby Shark!!”
“Daddy Shark!!” boomed in the second verse with even more
vibration of the piano strings. Elise
was wringing every bit of emotion this song had out of it.
“Grandpa Shark!!!!”
Followed by the requisite doo-doos and clashing of keys. I wasn’t sure if the piano would
survive. I was sure my ears wouldn’t
make it.
“It’s the end… It’s
the end… IT’S THE END!!!” The last note was a shriek that would have made the fat
lady at the opera wish she could hit notes like that, if she had just heard it. Then the sound slowly
died away.
“Sounded like Baby Shark,” I said nonchalantly to my son,
Vincent.
“Yes,” he said.
“Do you like it?” I
asked him.
“I don’t know,” he said.
“Probably not.”
“I have an idea,” I said.
“Maybe you could someday write a theme and variations on Baby Shark – or
better yet – a Piano Concerto! The Baby
Shark Piano Concerto, people would come out to hear it just because of the
name.
Vincent shook his head.
This did not sound like a good plan to him and frankly, it doesn’t
really to me either. There are melodies
out there that are beautiful and haunting, but the tune of Baby Shark is simply
haunting. Expanding it out to a ten- or twenty-minute classical piece of music sounds like a disaster only surpassed by the volcanic eruption at Pompei.
It strikes me that there are some things that need to be
brief. Preachers and politicians are
often fond of the sound of their own voice and say with ten words what could be
said with two or three words.
Proverbs 10:19 contains the wise saying, “ In the multitude
of words there wanteth not sin: But he that refraineth his lips is wise.” Quite simply, we are far more likely to get
into trouble when we talk a whole lot than we sit and listen.
More than that, a little bit goes a long way. This is true when it comes to words and speeches. It is even true when it comes to the song Baby Shark, where a single verse is better than the whole song – even if
it is played by a precocious four year old on a Baldwin Upright Piano.
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